Monday, June 09, 2008

Curating Art at Home

As a museum curator, I get a lot of questions about the art in people’s homes. In this column, I’ll be addressing some of the more common questions. For example, I am often asked: “How do I take care of an artwork I just [bought/inherited/had framed]?” Ideally, artwork should be installed in a climate-controlled building with 50% humidity, low or zero UV light, and a 24-hour security system. What’s that, you say? You don’t live in a museum? Okay, here are the basics. Artwork should not be hung in direct sunlight. When framing, choose acid-free matting and UV glass or plexiglass. Ask your framer for specific advice on materials and methods. Make sure the nails are well-anchored in the wall and the hanging hardware is solidly attached. Use a stud-finder (available for $10+) and a level when installing. A laser-level is a nifty gadget, but only necessary if you find yourself doing a lot of rearranging.

What about rules for decorating with art? Ideally, hang with the center at eye level or as near as possible without butting up against the furniture below. Slight asymmetry is better than strict symmetry. Think in terms of color families, composition or subject similarities rather than rigorous matching. You may want to group all of your pictures of flowers, for example, or everything with red in it, or four or five square things. These would make good groupings with perhaps unexpected results. I often find that I see an artwork differently when I hang it with new companions.

Don’t be afraid to rearrange when you get tired of your current look. You can often redecorate by shopping in your own home. Just take everything off the walls of one or more rooms and look through closets and behind doors for framed things or plaques or anything you may have stashed since you last decorated. Lean the works against the wall and start playing with them or use a large table to arrange groups. You could also measure each object, cut out a piece of craft paper in the shape of each one and tape them on the wall in the arrangement you’re considering. Rearrange until you’re happy with the look and only then start hammering nails.

You can also look for beautiful or sentimental items in your cabinets or on bookshelves and highlight them. You may have a plate or a jug hidden away that would look terrific on display. If you have a collection, honor it. Buy or make display shelving and bring out your collection of antique teacups or your family collection of embroidery or cross-stitch pieces. Children’s artwork can also be charming and need not be elaborately framed.

On the other hand, if you don’t love a piece of artwork, put it away for a while. You can always bring out that picture of a lighthouse again if you find you miss it terribly. It’s better to have a small quantity of artwork, decorative arts and photos on display that you really love to look at than a clutter of things you don’t care if you ever see again. Don’t be afraid of open spaces!

Framing doesn’t have to cost a fortune. You can certainly spend on custom framing, acid-free mats, and UV glass if you are framing a one-of-a-kind piece that is meant to last forever. In fact, I highly recommend it for original works of art. It’s sort of like making insurance payments on your new car; consider quality framing an insurance policy for your new work of art. However, if your budget is low and you’re framing something inexpensive, such as an LRMA exhibition poster, you can also find simple, reasonably priced frames at big box hobby stores. Sometimes I will buy inexpensive frames but pay extra for a nice custom mat that really suits the artwork, which is my frugal compromise. Here at the Museum, we tend to use simple frames in subtle metals or wood, painted black or white, with acid-free mats in neutral tones for contemporary works of art. If you use colored mats, you may find you need to re-mat the work in 10 or 20 years, as color trends will go in and out of style. On the other hand, at LRMA we are framing for posterity, and you are framing to please yourself.

If you are looking for art but don’t have a big budget, shop at the local frame shops, the LRMA Museum Shop and arts festivals such as Day in the Park, where you can support your local artists. You can often buy original works of art for less than the cost of framed poster-prints sold at outlets and decor stores. You can also buy inexpensive art at student shows such as those at Jones County Junior College and the University of Southern Mississippi. Above all, buy art that you love, and live with it for as long as you love it.


Jill R. Chancey, PhD
LRMA Curator

[originally published in the Laurel Leader-Call, 6/8/9]

Thursday, May 22, 2008

Guest Blogger: George Bassi

The summer months are upon us at the Lauren Rogers Museum of Art, and that means lots of visitors traveling through the area, including people from Ireland, Zimbabwe and the Netherlands just this past week. Summer also brings lots of children and adults taking part in art classes either here at the Museum or in outreach activities throughout the community.

One of our more popular summer art activities is Free Family Art Day, which will be held on Wednesday afternoons, June 4 through July 2. At any time from 1:00 - 4:00 p.m., children and their families participate in free “make and take” hands-on art activities with different themes each week, including origami, animals, collages and printmaking. No registration is required for these Wednesday afternoon classes, which attracted more 150 people each week last summer.

Of course, summer at LRMA would not be complete without our popular Blues Bash, which will be held on Friday, June 6, from 6:30 to 10:30 p.m. It is hard for me to believe that this will be our 15th annual event, which we have moved from mid-August to early June this year.

Blues Bash started in 1994 as a way for LRMA to celebrate Mississippi’s blues heritage and attract younger audiences to the Museum. Held in conjunction with the Delta Blues Museum in Clarksdale, Mississippi, the first few events brought in blues musicians from around the Mississippi Delta. Originally staged on the Museum’s front lawn, the event now encompasses the front lawns of LRMA and the Rogers-Green House as well as the closing of 5th Avenue.

Past performers include a who’s who of blues talent, including James “Super Chikan” Johnson, Blind Mississippi Morris, Kind Edward and Walter “Wolfman” Washington. This year should prove to be another crowd-pleaser with Mississippi blues guitarist and singer Bill “Howl-N-Madd” Perry. Born in Abbeville, Mississippi, Perry has 35 years of entertainment experience, including performances at the Apollo Theater in New York City and the Palladium in Hollywood. A regular at Ground Zero Blues Club in Clarksdale, Perry hosts a weekly blues television show, Blues Trekkers, in Oxford, Mississippi.

Tickets to this year’s Blues Bash are on sale now for $20 each at the Museum (601-649-6374). Besides a night of soulful blues music, you also get a barbecue dinner by The Smokehouse of Laurel and beverages from Southern Beverage Company and Coca-Cola of Laurel. Other sponsors are BancorpSouth, Cellular South, Ellis & Walters Dental Care, Gholson Burson Entrekin & Orr PLLC, Kim’s Chrysler Toyota, The Koerber Company, Stinson Petroleum Company, Laurel Leader-Call, Rock 104, and WDAM-TV.

I hope you will bring a blanket or lawn chair and join us for a night of Mississippi Delta Blues under the oak trees of the Laurel Historic District.

Wednesday, May 14, 2008

Blues Bash, now in June!


We've had Blues Bash in August for quite a few years now, and with rare exceptions, it's just way too steamy-sticky-hot in August. So, we're trying a June date. June 6, to be precise, which is just a few weeks away.

Here's the 411:



The Lauren Rogers Museum of Art will hold its 15th Annual "Blues Bash" Friday, June 6 from 6:30 - 10:30 p.m. on the Museum front lawn.

This year’s event will feature blues guitarist and singer Bill "Howl-N-Madd" Perry of Tupelo, Mississippi. Perry’s 35-year career has taken him across the United States and abroad. He has played venues such as the New York City’s Apollo Theater and the Palladium in Hollywood, California and was one of the first singers to appear on Soul Train.

Tickets are $20 per person and include a barbecue dinner from Smokehouse of Laurel. Tickets may be purchased at the Museum or reserved by calling 601-649-6374 by Wednesday, June 4. Guests should bring a lawn chair or blanket to enjoy the fun. In case of rain, Blues Bash will be held at the Cameron Center.

Blues Bash is sponsored by Southern Beverage Company, BancorpSouth, Cellular South, Ellis and Walters Dental Care, Gholson Burson Entrekin & Orr, PLLC, Kim’s Chrysler Toyota, The Koerber Company, Stinson Petroleum Company, Coca-Cola of Laurel, Laurel Leader-Call, Rock 104, and WDAM-TV.

Proceeds from Blues Bash support the Museum’s education program. To purchase a ticket for Blues Bash or for more information, call LRMA at 601-649-6374.



Anybody who's been to Blues Bash knows it's one of the best entertainment values in Laurel.

See you there!

Monday, May 12, 2008

The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection

Our latest Gallery Walk, courtesy of WDAM TV:

Guest Blogger: Mandy Buchanan

At the Museum --

The Lauren Rogers Museum of Art Education Department has a busy summer art program planned with a variety of classes for all ages.

"Free Family Art" will be offered Wednesdays June 4 - July 2 from 1 - 4 p.m. in the Museum Annex. These classes will feature a variety of free art experiences for children and families. No reservations are required for these make-and-take summer classes.

LRMA will provide free art activities at the Townley Center as part of the Laurel Housing Authority’s summer program. These classes will be offered from 11 a.m. -1:30 p. m. on Mondays and Wednesdays June 2 -July 30.

"Summer Art Camp" will be held July 15 - 18. Children in K5- 3rd grade will meet from 10 a. m. - noon and 4th - 6th graders will meet from 2 - 4 p. m. The theme for this year’s camp is "Around the World with Art." Students will explore artwork from around the world and experiment with a variety of art materials. Projects will include batik, printmaking and clay. Registration is required.

We are excited about the new LRMA Seventh Street Art Studio which will open in June. In the new space we will offer pottery for children and adults and studio art classes for middle school, high school students and adults.

Pottery classes will be offered Tuesdays and Thursdays June 17, 19, 24, and 26. Children in K5 - 3rd grade will meet from 10 a.m. - noon and 4th - 6th graders will meet 2 - 4 p.m. Adults will meet from 5 - 7 p.m. Participants will create functional and sculptural pottery using hand-building and wheel-throwing techniques.

Two new studio classes will be offered for ages middle school students to adult.

"Basic Drawing" will be offered in the Seventh Street Studio Tuesday mornings from 10 a.m. until noon. Students will be introduced to basic drawing techniques using different drawing media. Supplies are included. Registration is required for these classes.

"Introduction to Painting"
will be offered Wednesdays July 2 - 30 from 10 a.m. until noon in the Seventh Street Studio. Students will be introduced to basic painting techniques and different paint materials including watercolor, acrylic and oil paint. Registration is required.

LRMA has art programs for everyone in the family. Also, a tour of the Lauren Rogers Museum of Art is a great way to beat the heat on a summer afternoon!

For more information, please contact Mandy Buchanan or Angie King at 601.649.6374.

The Lauren Rogers Museum of Art is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel and is open 10:00 a.m. until 4:45 p.m. Tuesday through Saturday and 1:00 until 4:00 p.m. on Sunday. Admission is free.


Mandy Buchanan is the Curator of Education at the Lauren Rogers Museum of Art.

Tuesday, April 22, 2008

Guest Blogger: Donnelle Conklin, Librarian

At the Museum

Beginning on Tuesday, April 15th, LRMA Library will again host its video series featuring a new addition to the collection, “Craft in America”. The series is divided into three categories: “Memory”, “Landscape” and “Community”, and together they explore the variety and history of American craftsmanship through the work of artists working in a variety of media across the country.

One video from the series will be offered each week on Tuesdays, April 15, 22, and 29 at 2:00 p.m. in the Museum Reading Room. Each video lasts approximately 60 minutes. The Library will replay each week’s video by request for those unable to attend the Tuesday 2:00 p.m. sessions.

Additionally, books from the Library’s collection of Japanese print books will be on display in glass cases during the Museum’s exhibit, The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection. The two cases will be located in the Museum Reading Room, and will run for the duration of the print exhibition.

For more information, please contact Librarian Donnelle Conklin at 601-649-6374 or dconklin@lrma.org.

not the usual

This is a little out of the ordinary for us here at Live from LRMA, but Cole Pratt was a good friend of the museum and an essential member of the arts community in New Orleans and the Gulf South. He was a Mississippi native, too.

Cole Pratt, 53, art gallery owner
Monday, April 21, 2008
By Doug MacCash
Staff writer

Cole Pratt, the affable owner of Cole Pratt contemporary art gallery on Magazine Street, died Saturday at Touro Infirmary as a result of a heart attack April 13. He was 53.

Born in Greenwood, Miss., Mr. Pratt was a lifelong art lover. His mother, Rita Pratt, recalled that "when he first picked up a pencil, he started to draw." Though Mr. Pratt studied studio arts at Delta State University, he never considered himself talented. He once jokingly told his longtime companion, Roy Malone, that after five years the university agreed to "give him a degree if he promised not to paint."

Instead of creating art, Mr. Pratt's talent lay in selling it. After working at Bryant Galleries in Jackson, Miss., and New Orleans in the 1980s, and Wyndy Morehead Fine Arts in New Orleans in the early 1990s, Mr. Pratt struck out on his own, opening a gallery in a corner storefront at 3800 Magazine St. in December 1993.

The space was small, but sunny, with a welcoming, neighborhood feel -- a contrast with the cooler tone of many Julia Street galleries.

"Cole consciously chose not to be on Julia," said Erika Olinger, the director of Cole Pratt Gallery for 14 years. "He believed Magazine was a great shopping street. He wanted the gallery to be amidst other stores. He didn't want art buying to be intimidating. He wanted an environment where the average customer could be walking by the store and be enticed to come in."

Mr. Pratt dedicated his space exclusively to Southern artists, but he did not restrict the style of art he showed. Everything from the traditional plein air paintings of Phil Sandusky to the illusionistic abstractions of Richard Johnson was welcome.

Artist Randy Asprodites said that Mr. Pratt was unusual among art dealers in that he made himself an authority on each artist he represented.

"The first day he wanted to know everything about me," Asprodites said. "It was rare. He asked real questions about my work and me as an artist."

Collector and friend Jim Lestelle said that Mr. Pratt's interest in his individual artists was matched by his interest in individual clients.

"He was good at recognizing what your interests were," Lestelle said. "He would show you art that you'd like and would be meaningful to you."

Cole Pratt was one of the first art galleries to reopen after Hurricane Katrina in 2005. Mr. Pratt sold a painting to a collector on Oct. 8, while there were still National Guard patrols in the streets. He was among the first to recognize the unexpected art-buying boom that followed the storm, making 2006 his best-selling year.

Mr. Pratt is survived by his mother, Rita Pratt. Memorial arrangements are pending. Contact Cole Pratt Gallery at (504) 891-6789 for information.

. . . . . . .


Click here for the original link to Doug MacCash's obituary.

Friday, April 18, 2008

Emerging Artists: High School Clothesline Show




These images are from our Emerging Artists: High School Clothesline Show which took place on Thursday afternoon, April 17. This show allows area high school students to showcase their work on the front lawn of the museum. Local students played their music during the show, adding to the festive atmosphere. This show is held every spring near the end of school, and it is a great opportunity for people from the community to see what talented local students are doing.

Thursday, April 10, 2008

A few installation photos of The Floating World




For the opening reception, we have borrowed a lovely 45-year-old juniper bonsai for the night, which you see in the photos. The reception is from 7-9, and the galleries are looking gorgeous.

Wednesday, April 09, 2008

The Floating World

Our latest exhibition, The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection opens tomorrow, April 10! We are going to have some great educational activities in the gallery for kids and adults, including origami. The exhibition will be open until July13, and we have a beautiful exhibition catalogue that is hot off the press. Be sure to stop by on Friday, April 11 for our Symposium from 10-12 in the American Gallery.

Friday, March 28, 2008

a little local art-related news

News from the Mississippi Arts Commission:


The top four contestants at the 2008 Poetry Out Loud Mississippi Finals.

Pictured from left: Winner Grant Cochran from Washington School, Verneshia Heidelberg from Laurel High School, David Hudson from Ridgeland High School and runner-up Shaniqua Wesley from Water Valley High School.

Created by the National Endowment for the Arts and the Poetry Foundation, Poetry Out Loud is administered in partnership with the State Arts Agencies of all 50 states and the District of Columbia. By encouraging high school students to memorize and perform great poems, Poetry Out Loud invites the dynamic aspects of slam poetry, spoken word, and theater into the English class. This exciting new program, which began in 2005, helps students master public speaking skills, build self-confidence, and learn about their literary heritage.

More information at the MAC website.

Monday, March 17, 2008

Two More Birthday Tiaras

Tommie's birthday was back in December, but her picture kind of got lost in the shuffle for a while there.



Angie K. is our new Education Outreach Coordinator and, lucky lady, got red-velvet cupcakes from Theresa's Bakery! We LOVE red velvet cake, but red velvet cupcakes! Delicious AND cute! (note: cupcake at bottom left corner)


Wednesday, March 05, 2008

Guest Blogger: Tommie Rodgers

At the Museum: Spectacular Achievements

The Lauren Rogers Museum of Art is proud to feature an exhibition of hand-colored lithographs by artist and naturalist John James Audubon. Spectacular Achievements: Audubon’s Animals of North America is certainly one of accessibility for all visitors. The images are beautifully executed and naturalistic in their representation. While a self-taught artist, Audubon thrived on presenting his animal and bird paintings as realistic as possible.

Born in 1785, Audubon departed his childhood home in France and moved to America at the age of eighteen. To escape his involvement in Napoleon’s war, he was sent to care for his father’s farm in Pennsylvania. Interestingly, he had no ambition to care for the farm but instead spent most days studying and watching birds. Birds became an obsession. His bedroom walls were filled with drawings that he made of the local birds. Every year on his birthday, he would take a visual inventory of the drawings and burn the ones that he considered to be poor examples. Of course, as his quality increased, he destroyed fewer and fewer drawings.

Audubon was not a wealthy man and was actually destitute most of the time. But his passion and determination to document the birds led him to be the first person in America to tag baby birds before they left their nest for the winter. He was excited to find the same baby birds returned to the area the next spring to build nests of their own and the adults returned to the same nests they inhabited the previous summer.

Drawn late in his life and completed by his son after his death, the seventy hand-colored lithographs featured in this exhibition showcase the quadrupeds west of the Mississippi River. Small animals such as rats, moles, weasels, rabbits and squirrels are drawn to show the animals with their families and in their natural setting. Large animals such as cougars, bears, deer and fox are featured in their hunting or grazing habitat.

The labels contain scientific information such as the animal’s Latin name along with a description of its hunting or nurturing habits and its general location on the continent. This exhibition is a combination of science and art and can be used to enlighten us about animals that may be extinct or endangered.

Audubon did not become aware of his own contribution to the extinction of some birds until late in his life. He regretted the fact that he killed as many as several hundred birds in one day of hunting. His notes describe the sky as being completely black with the abundance of birds as they flew south for the winter. It’s interesting to note that we never see the sky filled with that many birds today.

Audubon made artistic and scientific contributions that have not been surpassed in the study of birds. His name continues with organizations that now protect animal existence such as the Audubon Zoo and the National Audubon Society. And, of course, his prints are held in many museum collections worldwide.

To learn more about Audubon’s life and work, come by and visit the exhibition between now and March 26th. You can access WDAM’s Midday Gallery Walk featuring Thomas Jones, director of the Museum of the Southwest, from our web site www.LRMA.org or here on the blog.

Come by on Tuesday, March 11th and visit with the Audubon Zoo’s Zoomobile. Their staff will be on the front lawn to introduce their animals to children and adults.

The Lauren Rogers Museum of Art is open to the public Tuesday - Saturday, 10 a.m. - 4:45 p.m. and on Sundays from 1-4 p.m. The Museum is closed on Mondays.

Tommie Rodgers is the registrar at the Lauren Rogers Museum of Art.

Tuesday, March 04, 2008

At the Museum: Sculpture on the Museum Grounds

Now that the weather is getting better, it’s a good time to come visit the Lauren Rogers Museum of Art and stroll around the grounds viewing the numerous sculptures on display outdoors. Five works are in the sculpture garden, and eight more are distributed around the building.

On the north side of the North Garden is the “Torso of a Young Woman” by the French sculptor Auguste Rodin (1840-1917). Rodin is perhaps the best-known figurative sculptor of the modern era. This small bronze torso was created in 1909, just a year after he moved to the Hôtel Biron in Paris, which is today the Musée Rodin. It was, like many of his sculptures, not cast until after his death; in this case the Torso was cast in 1959.




On the east side of the garden is “Eve”, by the American sculptor Laura Ziegler (b.1927). Ziegler clearly works within the figurative sculptural tradition she shares with Rodin. However, Ziegler seems interested in expressing a particular emotion on the part of the subject - the anguish Eve felt on being banished from the Garden of Eden. Rodin’s work, on the other hand, is expressive of the artist’s interest in form and content; in other words, it is more about the artist than the subject. In Eve the viewer is drawn into the emotional world of the subject, not the artist.




Nearby, the visitor will find Donald DeLue’s “Spirit Triumphant” (1971), a one-third size model from the State of Louisiana memorial at the Gettysburg battlefield. This bronze represents the survival of the spirit; the split laurel tree represents the South and the North, which are eventually united by the dove of peace spanning the two branches.





Recently, we added Atlanta artist Andrew Crawford's "Fiddlehead," a steel sculpture donated in 2002. It evokes both the curve of a violin and the organic quality of the fiddlehead fern.



Eight sculptures by David Hayes are on display outdoors at LRMA until August 31, 2008. Hayes has developed a unique formal vocabulary of biomorphic forms. The surprisingly organic-looking assemblages contrasts with the material: flat plates of unbending industrial-strength steel. The works in the “Screen Sculpture” series are painted solid black, while the rest of the sculptures on the Museum grounds are painted. The scale of the steel works is comfortably human; ranging from about 4' - 8' high. The works do not tower over and dominate the average person, but are not so small they can be deemed inconsequential. Repeated viewing over the course of the next year, in different seasons, times of day, walking or driving by, and under varying skies, will result in different experiences with the sculpture. Don’t forget to walk all the way around the back of the museum to see “Grenouille,” which faces 4th Street and the LRMA parking lot.

In the Museum Annex courtyard is Bruce White’s stainless steel “Untitled” (1972). White, a New Jersey native, now lives and works in Chicago. Bruce White's work has been described as "an elegant union of ancient symbolism and contemporary science." His preferred materials are stainless steel and aluminum, although he has created works in bronze and granite--essentially materials which lend themselves to permanance. In addition to sculpture for residential and commercial interiors, he has done numerous large scale exterior public works.

Finally, on the South side of the front lawn is Arthur Silverman’s “Cor-Ten Duo #3” (1981). Silverman is a New Orleans-based sculptor who has long been fascinated with the mathematical and aesthetic qualities of tetrahedrons. This sculpture may be familiar to mall-goers, as it was in display at the Sawmill Square Mall for several years. I’d advise giving it a second look in a natural setting, however, as the expansive space and natural light really work to the sculpture’s advantage.

The loan of the Rodin and Zeigler sculptures from the Hirshhorn Museum and Sculpture Garden in Washington, D.C. was made possible by the Museum Loan Network - a national collection-sharing program funded by the John. S. and James L. Knight Foundation and the Pew Charitable Trusts, and administered by MIT’s Office of the Arts. The Sculpture Garden is open during regular LRMA hours: 10:00 am to 4:45 pm Tuesday through Saturday, and 1:00 to 4:00 on Sunday; the rest of the sculptures are accessible year-round. For more information about museum programs and exhibitions, call (601) 649-6374 or check our website at www.lrma.org.

Friday, February 08, 2008

One step forward for LRMA-kind

We now have a Youtube account, thanks to Librarian and WebMaster Donnelle Conklin, and our first video is an interview with Thomas Jones, director of the Museum of the Southwest in Midland, Texas. Our director, George Bassi, interviewed him about Spectacular Achievements: Audubon's Animals of North America, the exhibition featured in our Lower Level Galleries through March 23, 2008. The video was shot by WDAM for their Midday show, so thanks are due to WDAM.


Tuesday, February 05, 2008

Guest Blogger: Holly Dodd

AT THE MUSEUM: Calling All Gardening Enthusiasts

February is not only the time for valentines and candy but also an opportunity to look forward to warm days, spring planting, and all things that bloom. In celebration of that theme, the Lauren Rogers Museum of Art will host an event for those who are avid gardeners and those of us who wish we were.

LRMA will present its annual Garden Lectureat 10:30 a.m. on Thursday, February 7, in the Museum’s American Gallery. The lecture is co-sponsored by the Laurel Garden Club, a member of The Garden Club of America.

The speaker for the event will be Rebecca Frischkorn of Washington, D. C. A graduate of Princeton University, Frischkorn has designed gardens professionally for more than 30 years and lectures widely on landscape design. She is a trustee of The Cultural Landscape Foundation and the Shenandoah National Park Trust.

Frischkorn’s talk will focus on a ten-episode series for the Public Broadcasting System titled Garden Story: Inspiring Spaces, Healing Places, for which she is executive producer and host. The series explores how gardens create positive social change and explains the need for stewardship of our natural environment. Garden Story examines how community gardens reduce crime and renew cities, how gardening can promote healing, and how gardens teach children to care for the natural world.

The garden lecture will be followed by a luncheon at the Rogers-Green House. Tickets for the event are $35 per person. To purchase a ticket or for more information, call the Museum at 601-649-6374.

The Lauren Rogers Museum of Art is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel and is open 10:00 a.m. until 4:45 p.m. Tuesday through Saturday and 1:00 until 4:00 p.m. on Sunday. Admission is free. For more information, call LRMA at 601-649-6374 or visit the Museum’s website, www.LRMA.org.

-- Holly Dodd is the Director of Marketing at the Lauren Rogers Museum of Art.

Monday, January 28, 2008

Well, THAT was unexpected


We had a real snow here in Laurel last weekend! It stuck for a couple of days, kids built snowmen galore, and I, for one, had to dig deep in the closet for my winter boots, which are a relic of my years in Kansas at grad school.

At the left, you see two sculptures by David Hayes which are inhabiting the jasmine beds through August.

Tuesday, January 08, 2008

Guest Blogger: Donnelle Conklin

At the Museum: LRMA Library Offers Spring Activities


Beginning January 27th, The Lauren Rogers Museum will present the exhibition, Spectacular Achievements: Audubon’s Animals of North America. LRMA Library will offer a glass case exhibit showcasing the volumes of Audubon’s books from the Library’s collection, which will be located in the Museum Reading Room. The exhibit will run through March 23rd. During this time the Library will also present the video, John James Audubon: The Birds of America, a 30-minute video on loan from the National Gallery of Art. Using his journal writings and illustrations interwoven with nature photography, the video traces Audubon’s development as an artist and his efforts to publish The Birds of America.

In April, LRMA Library will host its annual Video Series featuring a new edition to the collection, Craft in America. The series is divided into three categories: “Memory”, “Landscape” and “Community”, and together they explore the variety and history of American craftsmanship through the work of artists working in a variety of media across the country.

One video from the series will be offered each week on Tuesdays, April 15, 22, and 29 at 2:00 p.m. in the Museum Reading Room. Each video lasts approximately 60 minutes. The Library will replay each week’s video by request for those unable to attend the Tuesday 2:00 p.m. sessions.

For more information, please contact Librarian Donnelle Conklin at 601-649-6374 or dconklin@lrma.org.

back from oblivion

Or, really, back from the holidays. We've all been in and out quite a bit over the last few weeks. We've recovered from Gala, installed paintings in the Stairwell Gallery and travel posters in the Lower Level Galleries, taken down the Christmas decorations, and had our annual staff retreat. skets.

So, it's back to work, where it's just one darn thing after another. Our Native American basket exhibition, which had traveled to nine venues during 2006-2007, came back, and now we have to find a place for a lot of custom-made crates, not to mention proper storage for the baskets.

My next project is installing Spectacular Achievements: Audubon's Animals of North America. We've got a lot planned around this exhibition: a visiting speaker & reception, the Audubon ZooMobile will be here during Spring Break, a teacher workshop, and more. We also have Board and Committee meetings coming up on the double, so we are hitting the ground running this week.

Until I have pictures to post, I thought I'd point interested parties to this useful tool:

Copyright Term and the Public Domain in the United States


This chart lays out the extent of copyright and conversion to public domain for published works, sound recordings, and architectural works. When it comes to artworks, several copyrights are in play: both that of the artist (or her estate), and that of the photographer. If you wish to publish an image of an artwork, you must get permission from the artist and the photographer. Even if you take your own picture, you need the artist's permission. (Fair Use for educational purposes is exempt from this permissions process). Museums generally control access to reproductions of work in their collections, so if you are looking for a poster or print of a work of art you're fond of, find out who owns it and get in touch with that museum. The museum will have sorted out the reproduction rights already.

The LRMA Gift Shop doesn't do much trade in posters or reproductions, but we do have prints of several works available for sale: Millet's First Steps and Winslow Homer's The Fisherman's Wife.

Monday, December 10, 2007

Mommy & Me

The Education staff at LRMA had a free family art day on Thursday, December 6. Children and parents worked together to create original holiday wrapping paper and beautiful paper poinsettias. Our "Holiday Art Class" is going to be this Thursday, the 13th, where kids will create Santa cookie plates and other fun holiday crafts. The class costs $15 for museum members and $20 for non-members. Please call Pam at the museum at 601-649-6374 to register now!

At the Museum: Travel Posters

At the Museum: The Poster Collection
by
Jill R. Chancey, PhD

One of the little-known collections of the Lauren Rogers Museum of Art is our selection of travel posters and war propaganda posters of the 20th century. The first director of the Lauren Rogers Museum of Art, Miss Ella Bradley, began the collection, which ultimately reached nearly a thousand total. War-related posters came to the LRMA Library from the government as a public service, and the travel posters were also sent out free to public organizations. Rather than using them and throwing them out, Miss Bradley saved them, and even stored many of the larger ones under the rug in what is now the Reading Room. Eventually this enormous collection was retrieved, moved to safer storage, and inventoried.

By 1999, a full inventory was completed with the assistance of Nicho Lowry of Swann Galleries in New York City, and the Museum determined to keep and frame a representative selection of those posters which were of high quality and in good condition. A number of duplicate copies and posters of lesser quality or worse condition were sold at auction to benefit the Museum’s Acquisitions Fund. These posters have always been part of the library collection, and are not accessioned into the art collection. The lesser restrictions on the library collection allow us to lend them to institutions that are not museums, such as the Saenger Theater in Hattiesburg or the Historical Society in Columbia.

Starting this week, a selection of the Museum’s travel posters will be on display in the Lower Level Galleries. In the wake of the first World War (1914-1918) and before the Great Depression, European nations had been left in a state of chaos and depression, while the United States had become one of the richest countries in the world. The following decade saw an industrial boom in America. The automobile became a symbol of prosperity and mobility, and a rapidly growing middle class had the means to travel for leisure. During this boom, posters were one of the most effective tools for selling travel. Art Deco, a geometric style of the 1920s and 1930s, quickly emerged as the most popular style for designers in the United States and Europe. The Art Deco style can be found in graphics, architecture, product design, and the fine arts throughout the period. Some graphic designers, however, were more strongly influenced by Cubism, which emerged in Paris around 1908 and continued to have an enormous influence through the 1940s. The Museum’s selection of posters reflect a variety of graphic design trends, and serve to remind us that travel was once glamorous and luxurious, particularly aboard ocean liners.

The Lauren Rogers Museum of Art is open Tuesday to Saturday from 10:00 a.m. to 4:45 p.m. and on Sunday from 1:00 to 4:00 p.m. Check the website for upcoming Summer events and classes. For information about LRMA exhibitions and programs, call (601) 649-6374 or check our website at www.LRMA.org.

Sugar Plum Gala 2007

A good time was had by all at Gala last week, and I think we are finally, mostly, recovered. For photographic evidence, I give you:

Sugar Plum Gala photos

Wednesday, November 28, 2007

Reminder for this weekend

The museum will be closed on Friday, Saturday, and Sunday (November 30, December 1 and 2) for our annual Gala. This year's theme: The Sugar Plum Ball. We are awash in nutcrackers, gingerbread houses, and paper stars.

Tuesday, October 30, 2007

Guest Blogger: Tommie Rodgers

Come On In!

If you haven’t visited the Lauren Rogers Museum of Art lately, you’ve missed out on a variety of events, most of which are free to the public. In recent weeks, we’ve gone from rock n’ roll photos of the ʼ60s to string quartet and orchestra performances to art quilt constructions! The galleries were busy with daily summer crowd averages of 100 people a day.

This month has been equally busy with Third Grade Tours for all area third grade children. Instruction for these groups focuses on viewing the Native American baskets with discussions of how 19th century Native Americans lived, along with the opportunity to work on a weaving activity.

The Museum staff is excited to see the Star Reach Fifth Graders again this year. Their tours will focus on the non-objective sculptures of David Hayes. While you may see some of his sculptures on the grounds of the Museum, you are welcome to come in and view the maquettes and accompanying paintings that will be on display until November 11th. The Fifth Graders will also be viewing Quilt National and learning about art quilts, their fabrics, methods of construction and the interpretive meaning of some of the quilts.

All teachers and students are welcome to come for tours and specially-designed activities that will enhance your classroom needs. The Museum also has art videos that can be shared with area teachers.

Time is certainly ticking by this year and the Museum will be celebrating its 85th anniversary next May. It’s hard to believe we’re so close to yet another milestone in the Museum’s existence. Many changes have taken place in the 84 years of the Museum’s history, most of which are behind the scenes. It’s entirely possible that a visitor can walk in, view the art work, attend a lecture and leave without ever thinking of how it all comes about.

To make things happen, staff and Board members create and follow policies that govern the Museum’s operations. Policies such as the Collections Management Policy and the Ethics Policy guide the committees in their actions and planning for the Museum. Our Board of Directors compose the committees that make general decisions and guide the staff on issues that aren’t always clear cut.

The committees consist of Collections, Programs and Exhibitions, Property, Finance, Personnel, Development, Long Range Planning and the newly formed Audit Committee. These committees meet four times a year just days before the quarterly Board meetings. Staff members whose jobs parallel these topics meet with the committees and together work to follow and/or augment the policy each has to guide its decisions.

Of course, increasing attendance is always a topic for discussion and we work to invite groups whenever possible. We recently hosted tours for the Laurel Fire and Police Departments and would like to extend an invitation to other places of employment. If you find your office is getting a little slow, give your employees a boost and send them to the Museum for a visit. A person can easily tour the Museum in just under an hour and, as an employer, you’ll be teaching the community about the “gem” that out-of-towners already know about. Admission is always free.

The Lauren Rogers Museum of Art is located on the corner of Fifth Avenue and Seventh Street and is open Tuesday - Saturday from 10 a.m. - 4:45 p.m. and on Sundays from 1-4 p.m. You can check out our web site at www.LRMA.org or call the Museum at 601-649-6374 for information about programs and events.

Tommie Rodgers is the Registrar at the Lauren Rogers Museum of Art.

Guest Blogger: Mandy Buchanan

At the Museum
Mandy Buchanan, Curator of Education

This October, a new staff member joined the Education Staff at Lauren Rogers Museum of Art. Angie King is LRMA’s new Education Outreach Coordinator. Angie received a Bachelors Degree in Fine Arts from University of Southern Mississippi and has worked as a classroom art teacher. As Outreach Coordinator, Angie will provide art instruction and experiences for Jones County and surrounding communities. We are so excited to have Angie join the LRMA staff. She has arrived at a very busy time. Her first week, she jumped right in to help prepare for Heritage Arts Festival.

Heritage Arts Festival was held Saturday, October 6, 2007 on the front lawn of the Museum. The theme for the day was “Celebrate Mississippi”. The art activities and music highlighted the history and culture of Mississippi. The featured artist was wood carver and member of the Mississippi Craftsmen Guild, Mr. George Berry. The Sharon Community Quilters demonstrated and displayed their Quilts in the American Gallery.

Lauren Rogers Museum Education Department has many activities and events planned this fall. We will begin LRMA’s Third Grade Tours program this month. Third Grade students from Laurel, Jones County and surrounding counties participate in this program. The tour features the By Native Hands, Native American Basket Collection. Students also participate in a hands-on weaving activity.

November 2nd Lauren Rogers Museum of Art will partner with The Laurel Junior Auxiliary and The Laurel Arts League to present Very Special Arts Festival at the Cameron Center in Laurel. This fun filled day is for mentally and physically challenged students in Jones County and surrounding areas. Students will participate in a variety of art and musical activities and enjoy a picnic lunch in Daphne Park. The theme this year is FIESTA! I think the volunteers have just as much fun as the students each year.

The LRMA Education Department is offering some fun holiday classes for children this fall.

Trick Art Treat, Tuesday, October 30, 2007 in Museum Annex.

Mommy and Me Free Holiday Art Activity Thursday, December 6, 2007 1:00-4:00pm

Christmas Art Class for Kids, Thursday, December 13, 2007 in the Museum Annex.

If you have any questions about any of the LRMA Education Programs please call Mandy Buchanan or Angie King at 601- 649- 6374 or visit the Museum’s website, www.LRMA.org.

Friday, September 21, 2007

Linda McCartney held over!

The Linda McCartney: Portrait of the Sixties exhibition was scheduled to close yesterday (September 20th). However, we're holding it over through the 25th.

As a reminder, here are our hours:

Saturday, 10 am - 4:45 pm
Sunday, 1 pm - 4 pm
Monday, CLOSED
Tuesday, 10 am - 4:45 pm

More Birthday Tiaras!!





From top to bottom:

Our Fearless Leader, George (yes, that's cake in his teeth. on purpose. yes, we're all VERY mature here)

Donnelle, Librarian

Donna, Library Cataloguer

Todd had a birthday recently and wore the tiara over his John Deere cap. Unfortunately, nobody knows how to get the picture off of Jo Lynn's camera and onto my computer. (yes, we're also very, very tech-savvy here)

Monday, September 10, 2007

Fall Video Series


This fall, LRMA Library will host the Video Series, Egypt’s Golden Empire. A production of PBS, the series unfolds in 3 parts and follows the rise and fall of Egypt’s New Kingdom; its impact on art, science and politics on the ancient world. One part from the series will be offered each week on Tuesdays at 2:00 p.m. in the Museum Reading Room, September 4th through the 18th. Each video lasts approximately 60 minutes. The Library will replay each week’s video by request for those unable to attend the Tuesday 2:00 p.m. sessions.

In October, the Library will participate in a state-wide observance of National Archives Month. The theme for the month is “Faces of Mississippi”, and with that in mind, the LRMA Library will present a photograph exhibit entitled “Labor Pains: Hard Work Builds a Community”, a collection of rarely-seen images of the city’s workforce. The exhibit will run the entire month.



For more information, please contact Librarian Donnelle Conklin at 601-649-6374 or dconklin@lrma.org.

Sunday Concert Series starts next weekend

The Lauren Rogers Museum of Art will host the Sunday Concert Series, presented by The University of Southern Mississippi Symphony Orchestra, beginning Sunday, September 16 at 2 p.m.

This year’s Sunday Concert Series will consist of four chamber concerts to be held at the Museum from September 2007 through April 2008. The first concert The Beatles: Music of an Era will feature a string quartet led by USM symphony violinist Alejandro Drago. The program was chosen to highlight LRMA’s exhibition Linda McCartney’s Sixties: Portrait of an Era, currently on display in the Lower Level Galleries.

The concert is sponsored by Tim Lawrence of Smith Barney, Inc. in Jackson and is free and open to the public. The Lauren Rogers Museum of Art is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel. For more information, call 601-649-6374 or visit the Museum’s website at www.LRMA.org.

Outdoor sculpture by David Hayes


We spent last weekend setting up the Museum's first-ever large-scale outdoor sculpture exhibition. The sculptures will remain on the grounds through next August. In addition to seven outdoor sculptures, we have an exhibition of maquettes and drawings in the Stairwell Gallery through November 11.

David Hayes website - photos of LRMA installation

Installation shot from the Laurel Leader-Call

In the installation photo - Wes Smith, David Hayes (son of the sculptor), and Todd Sullivan

Thursday, August 16, 2007

At the Museum: Contemporary Art from the Collection

At the Museum: Contemporary Art from the Collection
by Jill R. Chancey, PhD

This summer, the LRMA Stairwell Gallery holds a selection of contemporary artworks from the Museum’s permanent collection. The exhibition features thirteen works by: six Southern artists; six women and six men; one Native American artist; one African-American artist; and ten European-American artists. The media used include birch plywood, aluminum, canvas, oil paint, acrylic paint, serigraph, lithograph, collage, etching, gouache, and pencil. What could these thirteen works possibly have in common? As a matter of fact, quite a lot. Each of these artworks is a response to the dominant mid-twentieth-century style, Abstract Expressionism.

Abstract Expressionism, as it originated in New York City, emphasizes improvisation, expression, gesture, color, line, emotion, nature and spontaneity. Abstract Expressionist artists rejected representation in painting: there are no representations of literature, religion, politics, poetry, narrative, landscape, seascape, or portraiture. Each artist who rejected these elements in painting sought to develop a new language of art-making, one that is individual, soul-deep, powerfully emotional, and possibly even sublime.

Several of the artists in the Stairwell Gallery began working in the 1950s during the heyday of Abstract Expressionism. Robert Motherwell, Adolph Gottlieb, Helen Frankenthaler, and Grace Hartigan were all early participants in the movement. Although each of these artists is best known for their paintings, they are represented in the Museum’s collection by prints. One, Grace Hartigan’s “Pallas Athene”, is a recent museum acquisition. The LRMA Guild of Docents and Volunteers provided funds for the purchase of this mulit-color lithograph, one of very few that Hartigan has produced in her career. The title refers to one of several names for the Classical Greek goddess Athena, the patron goddess of the city of Athens, of warfare, and of wisdom and learning. The print is, however, completely abstract, a meditation on the emotions invoked by the story and attributes of Athena.

Other artists built on the abstract developments of the New York School; these include Sam Gilliam (a Mississippi native); Ida Kohlmeyer (a native of New Orleans); and Sonia Sekula. Their formal explorations of the emotional impact of color, form, line, scale, and space was inspired by those first pioneers in the movement. Another recent acquisition, Jaune Quick-to-See Smith’s “Flathead Warshirt,” combines the spontaneous gesture of early abstraction with collage. The collage technique, invented by Pablo Picasso and Georges Braque in the early 20th century, has been used with great skill and creativity by Robert Rauschenberg, for example. Quick-to-See Smith combines collage and painting to explore the contemporary meaning of a native “warshirt,” except the “war” is not so much a military mission as a struggle for cultural survival in a culture that does not necessarily understand or welcome Native American cultural ideas and traditions.

These works will remain on view in the Lauren Rogers Museum of Art Stairwell Gallery through September 2, 2007. Be sure and stop in on your way to see “Linda McCartney’s Sixties: Portrait of an Era.”

The Lauren Rogers Museum of Art is open Tuesday to Saturday from 10:00 a.m. to 4:45 p.m. and on Sunday from 1:00 to 4:00 p.m. For information about LRMA exhibitions and programs, call (601) 649-6374 or check our website at www.LRMA.org.

Friday, August 10, 2007

Blues Bash tonight!

14th Annual Blues Bash - Friday, August 10, 2007

6:30 - 10:30 p.m.


Tickets $20 per person

Bring a blanket or lawn chair and join us on the Museum's front lawn for hot barbecue and cool blues from the Daddy Mack Blues Band.

I know, I know, it's about a million degrees outside. But look at it this way: being hot and sweaty will just make ensure that you relate to the blues.

Friday, August 03, 2007

The Birthday Tiara

Here at the Lauren Rogers Museum of Art, we take birthdays very, very seriously. There must be cake, and the birthday boy or girl must wear the Designated Birthday Tiara. Sometimes, the birthday boy will refuse to wear it (we will not speculate on why he is afraid of the tiara):



Others are entirely comfortable with the Birthday Tiara:



And then, once a year, we have a double birthday, so I have to home and get my Spare Tiara:



George and Todd have birthdays in late August. Stay tuned in and you'll find out who is brave enough to wear the Birthday Tiara.


Top to bottom: Mark, Wes, Mandy(l), and Pam (r)

Tuesday, July 24, 2007

What are your favorite Mississippi buildings?


The AIA/Mississippi has a poll at their website, where you can vote for your five favorite Mississippi buildings. Since I am QUITE CERTAIN that the LRMA building is one of your favorites, I recommend visiting and voting: AIA/Mississippi. Look at bottom left for the "vote now" button. You'll click "add to favorites" for up to five buildings, then click on "vote now." Easy-peasy.

Vote early, vote often!

From our handbook:

Located on a broad, tree-lined avenue among turn-of-the-century homes near the center of town, the Lauren Rogers Museum of Art is a Georgian Revival structure designed by New Orleans architect Rathbone deBuys. Large, double-hung sash windows accentuate an exterior of local brick with Indiana limestone. The slender, attenuated metal columns in front were made locally by the Laurel Machine and Foundry Company.

The interior of the building utilized the expertise of the Chicago interior design firm of Watson and Walton. The walls are paneled in quarter-sawn golden oak, accented by handwrought ironwork by Samuel Yellin and a ceiling of handmolded plaster. Cork floors are found throughout the Museum.

Monday, July 23, 2007

Guest Blogger: Tommie Rodgers, LRMA Registrar

From the Truck to the Walls

Do you ever wonder what it takes to get an exhibition in the door and on the walls? At the Lauren Rogers Museum of Art, it all starts in a dimly lit conference room where Board and staff members discuss future possibilities. The options can be as varied as those meeting and can come in all different prices, sizes, and materials. Lending agencies can be individual artists, museums, or exhibition rental companies. Potential exhibition proposals are usually received in the mail from one of the above and the curator reviews each option before the quarterly meeting.

There are several criteria that the committee considers when selecting an exhibition. We first look at the relevance to our community. Does our community have any insight in this exhibition? Will it be well attended because it’s familiar or because few know about the subject?

We can showcase an exhibition of works that can cost as little as a $1,000 or we can book one that can cost us on the high end of $30,000. The high-priced rental exhibitions are few and only occur every two to five years. While those are our general fee ranges, that doesn’t mean every museum has the same budget constraints and every year the budget is different.

The exhibition is also reviewed for the feasibility of shipping, insurance and man-power. We have a small staff and have to consider whether additional movers and packers will need to be hired, whether we will need to rent climate-controlled storage units for the crates and if our gallery space is adequately sized to accommodate the entire exhibition. If the objects are three dimensional, then do we have enough pedestals? And, is there a time slot available that works with our schedule?

Once those issues are tackled, the curator is ready to sign a contract and put the exhibition on the schedule. Amazingly, most exhibitions are booked about three years in advance. If we are producing printed materials, we sometimes need that extra time for writing, photography and publication design, but usually, we begin three to six months ahead to work on educational materials and publicity. Transportation is generally decided by the lenders and I’m alerted weeks in advance of the shipping details. Loans from local and regional lenders are sometimes transported by the museum staff. Distance, size, schedules and costs determine those choices.

Every department plays a role in mounting an exhibition. The curator books the exhibition, coordinates the retrieval of scholarly information and directs the staff in the contract regulations. The development director solicits funds from grants, businesses and individuals to pay for the exhibition. The marketing director creates press releases and ads for newspapers, magazines and sometimes billboards, as well as works with television stations to get the word out. The education staff creates learning tools to teach about the artwork being viewed. The librarian purchases books and materials for use by the staff and patrons concerning the exhibition. The building superintendent assists with the unloading, moving and unpacking of crates and hangs the objects. And the registrar facilitates insurance, the arrival, departure and storage of crates, unpacking and packing, as well as the recording of changes in condition of artworks.

Once an exhibition arrives, is unpacked and examined for changes in condition, then the curator arranges the works in a manner that is visually pleasing and understandable. Works are hung or placed, labels and signage are hung, and lights are set.

Then, it’s showtime! An opening reception and lecture are usually scheduled with each exhibition for the public. The reception gives the staff some finality to each exhibition installation and is an event that the community enjoys.

With many exhibitions, I work in storage or in the galleries for at least two weeks and sometimes three. It just takes that long to pack one show and get another one up. The Lauren Rogers Museum of Art usually mounts five to six exhibitions annually.

So you see, the exhibitions don’t just appear out of thin air, nor do they install themselves overnight. There can be other facets to the exhibition process such as construction, publications, and museum shop specialty items. These issues generally take place at large museums and occur here sporadically.

Remember to check out the Museum’s website at www.LRMA.org for classes, exhibitions and events. The Museum’s hours are Tuesday - Saturday from 10 a.m. - 4:45 p.m. and Sundays from 1-4 p.m.

Wednesday, July 18, 2007

PSA: Emergency Preparedness

National Task Force Releases New Tools to Protect Cultural Heritage

Resources Will Aid in Disaster Preparedness and Recovery

WASHINGTON, D.C.—A new collection of handy tools designed especially for libraries, archives, museums, historic sites, and historic preservation and arts organizations has been released by the Heritage Emergency National Task Force. The tools are the result of the Task Force’s “Lessons Applied” initiative to develop practical applications for the lessons from Hurricane Katrina, such as helping cultural institutions apply for disaster aid and developing relationships with emergency responders.

The new tools are available as free downloads at www.heritageemergency.org:

• Tips for Working with Emergency Responders. Getting to know local emergency responders and how they work before disaster strikes can help keep staff and collections safe. This handy sheet tells how to find and build relationships with emergency responders, as well as what information needs to be exchanged to help responders protect cultural institutions.

• Guide to Navigating FEMA and SBA Funding. This concise Web site leads cultural institutions through the process of applying to the Small Business Administration (SBA) and FEMA for assistance after major disasters. Links put policies, application forms, and other necessary paperwork at the user’s fingertips along with simple, step-by-step instructions for the application process.

• MayDay. MayDay is an annual event that encourages cultural institutions to undertake one simple emergency preparedness task. Created by the Society of American Archivists, MayDay was expanded in 2007 to include libraries, museums, and arts and historic preservation organizations. This year hundreds of organizations promoted the message, and FEMA featured MayDay on its Web site. The Task Force has produced a list of suggested MayDay activities, as well as promotional materials.

• Recommended Professional Emergency Management Training. Most staff members want to help in the aftermath of an emergency at their institutions or in their communities. The free courses listed in this resource teach cultural heritage staff and volunteer teams about local, state, and federal disaster response frameworks already in place, as well as official protocols and structure, terminology, and key local contacts.

Panels composed of Task Force members and other experts have been working since October 2006 to prepare new resources and develop longer-term recommendations in the areas of incentives for preparedness, working with first responders, effective regional response, funding, and coordination among service organizations. The Task Force met July 17, 2007, to announce the new tools and discuss results of a member survey on Katrina, which will help the group prepare for future events. Other proposed initiatives include a preparedness poster, speakers’ bureau on cultural heritage emergencies, guidelines for mutual assistance networks, GIS standards for cultural collections, a collections stabilization fund, and a new Foundation Center guide identifying disaster resources.

The “Lessons Applied” initiative has been made possible through grants from the National Endowment for the Humanities and the Bay and Paul Foundations and the volunteer efforts of Task Force members. See www.heritagepreservation.org/lessons/panels.html for a complete roster of panel members.

The Heritage Emergency National Task Force is a partnership of 41 national service organizations and federal agencies created to protect cultural heritage from the damaging effects of natural disasters and other emergencies. The Task Force was founded in 1995 and is co-sponsored by Heritage Preservation and the Federal Emergency Management Agency.

For over 30 years, Heritage Preservation has been the national, nonprofit advocate for the proper care of all cultural heritage—in museums, libraries, homes, and town squares. For more information, visit www.heritagepreservation.org. The National Endowment for the Humanities (NEH) is an independent federal agency created in 1965. It is the largest funder of humanities programs in the United States. For more information, visit www.neh.gov.

Tuesday, July 17, 2007

Guest Blogger: Mark Brown, Curator of Education

Arthur Silverman Sculpture Returns to Lauren Rogers Museum of Art

On Friday, June 22, Corten Duo III, a sculpture by Arthur Silverman, was returned to the Lauren Rogers Museum of Art. The large metal outdoor sculpture, which was on display at Sawmill Square Mall for more than two decades, was installed on a newly prepared concrete pad on the front lawn of the Museum.

Although originally from New York, Silverman has been a New Orleans resident for more than 25 years. Before creating sculpture, Silverman was a practicing physician. Soon, sculpture became much more than a hobby, causing Silverman to give up his medical practice. Fourteen large-scale public commissions can be seen in the New Orleans area alone, including universities, commercial and government buildings. Silverman has exhibited his pieces nationally and is included in such important collections as the John Rosenkrans Collection, Woodside, CA, the Fisher Family Collection, San Francisco, CA, the Philip Johnson Building in Washington D.C., the New Orleans Museum of Art, and of course, the Lauren Rogers Museum of Art here in Laurel.

Corten Duo III, typical of Silverman’s work, is a freestanding geometric metal sculpture composed of his signature tetrahedrons. A tetrahedron consists of four flat triangles, much like a cube consists of six flat squares. In Silverman’s judgement, the tetrahedron, being somewhat non-traditional, when stacked, sectioned and joined, allows for a great variety of forms. Much of his work is associated with that of the Minimalists, which is characterized by obvious mathematical and geometric relationships, ultimately limiting emotional responses. However, Silverman states "my sculpture is inspired, but not constrained to mathematics, specifically geometry. For more than 20 years I’ve been investigating tetrahedral ideas for sculpture. My primary interest is in large-scale outdoor work. I like the idea that the public and the site are very important considerations."

Tuesday, July 10, 2007

Guest Blogger: Holly Dodd, Director of Marketing



The Beatles, London, 1967, Copyright: The Estate of Linda McCartney, 1998.


At the Museum -

The 1960s were turbulent years on the American political and social scenes with broad strokes of change happening on every front. The decade was also culturally monumental, evidenced by the fact that forty years later we are heavily influenced by the art, find ourselves revisiting the fashions, and still adore the music that sprang abundantly from that most creative and fascinating time in our history.

Linda Eastman McCartney, late wife of Beatles legend Paul McCartney, was in the midst of all that social upheaval. Through her life’s work, she had a front row seat and backstage pass to the music scene of the Sixties. She photographed everybody who was anybody during the biggest rock and roll explosion to date.

Fifty-one of these photographs will hang on the walls of the Lauren Rogers Museum of Art this summer from July 19 to September 20. LRMA will be the last venue on the North American tour of Linda McCartney’s Sixties: Portrait of an Era, and we are planning some special events to tie in with the show.

Gabriele Abbott, North American Tour Coordinator for the Estate of Linda McCartney, will be in Laurel for the opening and will give a gallery talk at 6 p.m. on the evening of July 19. After the gallery talk, there will be a Sixties Party from 7 - 9 p.m. The Wes Lee Trio will play selections from the long list of musicians represented in the show, including The Beatles, Jimi Hendrix, Aretha Franklin, The Rolling Stones, The Who, B. B. King, Janis Joplin, The Grateful Dead, Otis Redding and many more.

Guests are encouraged to participate in a Far-Out and Groovy Costume Contest to be held during the party. Dig out your go-go boots, mini-skirts, love beads, headbands, fringed vests and platform shoes! Decorations and food will follow the theme of the evening as well - - expect lava lamps, hula hoops and other memorabilia.

I hope you will join us for a fun evening celebrating the Sixties. As for the exhibit, anyone who remembers the Sixties or has heard the name "Woodstock" should see this show. The works are very honest and very intimate, revealing McCartney’s unique ability to capture her subject’s true essence and the sometimes fragile personalities of these cultural icons. You won’t want to miss it.

The Museum is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel and is open 10:00 a.m. until 4:45 p.m. Tuesday through Saturday and 1:00 until 4:00 p.m. on Sunday. Admission is free. For more information, call LRMA at 601-649-6374 or visit the Museum’s website, www.LRMA.org.

Thursday, June 28, 2007

Sculpture on the Grounds

For some time, Cor-ten Duo #3 by Arthur Silverman has been on display at Sawmill Square here in Laurel. We decided to move it to the museum grounds recently, which was quite a project since it's quite heavy. Not only is it a large steel sculpture, its base is a sheet of 2" thick concrete. At the mall, the concrete base sat upon a 10" carpet-covered wooden base.

After we decided to move it, we had to pick a spot on the grounds and have a concrete pad poured, then figure out how to orient the sculpture. Once the concrete pad was ready to use, we booked a local moving company to help us with a truck and about five moving men. They moved the whole thing (wooden base and all) all the way through the mall to the only set of wide doors. Thence by truck to the front lawn of the museum, where they picked it up off the wooden base and carried it across the lawn to the concrete pad.







It was quite an endeavor, and frankly I'm glad I had to be out of town for it. I would've cringed all morning long. George, Tommie, and Todd, who aren't nearly as nervous-nelly as I am, oversaw the whole project. I always think a museum looks more like a museum if there's a sculpture or two out front. This one certainly does the trick. Come visit and see for yourself!



Guest Blogger: Librarian Donnelle Conklin

LRMA Library to Present Bible Exhibition in July

Next month the Lauren Rogers Museum of Art’s Library will take a break from its annual summer postcard exhibits for a look into another interesting collection from its archive - the Bible collection. On display will be examples of early Bible translations, a page from the Gutenberg Bible, along with family Bibles with elaborate illustrations and tooled leather bindings.

Among the Bibles in the collection are several editions of the Book of Common Prayer. One is an 1893 edition that was donated by the museum’s neighbor, St John’s Episcopal Church. Another is a family Bible belonging to the Gardiner family.

The collection as a whole offers a glimpse into the varieties of Bible interpretations that history has influenced, and range from the ornate to the utilitarian. A time line will also accompany the exhibit to help visitors put each version into historical perspective.

The exhibit will be located in the Museum Reading Room, and will run the entire month of July. For more information contact Librarian Donnelle Conklin at 601-649-6374.



A Page from a Gutenberg Bible

Tuesday, June 19, 2007

Temporary gallery closing

On Wednesday, June 27, the west side of the Lower Level Gallery will be closed for a Board Meeting until 1:00 pm.

This means approximately 1/3 of the Ethel Wright Mohamed exhibition will not be available for viewing that morning. We apologize for any inconvenience.

and you will know us by the piles of our pottery....

Mandy and Mark have been hard at work teaching summer pottery classes for the last two weeks. We had a kids' class and an adult class. They made pinch pots, threw on the wheel, slab-built, and glazed all kinds of cool stuff. Herewith, a few documents of that messy, messy time:






Don't forget, we still have two Free Family Art Days left:

Wednesday, June 20, 1 - 4 pm, in LRMA's Education Annex

Wednesday, June 27, 1 - 4 pm, also in the Education Annex

Tuesday, June 12, 2007

Another Free Family Art Day...




Last week, LRMA educators Mark Brown and Mandy Buchanan helped visiting kids create "story people". The young artists cut out figures and decorated them with words and clothing to illustrate a story about themselves or someone they know. They used needle and thread to stitch their stories, just as Ethel Wright Mohamed did in her pictures, which are on display in LRMA's Lower Level Galleries.

Friday, June 01, 2007

In case you're going to Mexico City this summer

MEXICO CITY (AFP) - The 100th birthday of artist and feminist icon Frida Kahlo will be honored with the largest-ever exhibit of her paintings, the Museum of the Fine Arts Palace in Mexico said Tuesday.

"The 354 pieces will be the largest exposition of Frida Kahlo," director of the National Fine Arts Institute Teresa Franco told reporters.

It will also be Kahlo's first comprehensive exhibit in Mexico, she said. After Mexico proclaimed Rivera paintings to be national cultural heritage, foreign owners feared lending her work to Mexico.

Besides one-third of her artistic production, manuscripts and 50 letters that have not been displayed previously, she said.

Works are on loan from Detroit, Miami, Los Angeles, San Francisco and Nayoga, Japan.

Kahlo (1907-1954) twice married muralist Diego Rivera (1886-1957) and was a close friend of Russian communist leader Leon Trotsky.

She suffered intense emotional pain inflicted by the philandering Rivera and physical pain after being stricken by polio and bus crash.

Pain and her inability to have children were common themes in her paintings, many of which were shocking, bloody self-portraits.

After her death, Frida became "first a legend, then a myth and now a cult figure," Hayden Herrera wrote in a 1992 biography of the Mexican artist.

The most recent international exhibition of Kahlo's work was in 2005 by the Tate Modern in London, which brought together 87 works.

The exhibit is tentatively slated to open June 13 until August 19. The museum is open 10:30 am to 6:30 pm Tuesday through Saturday.

Well this is interesting...

Apparently, the limestone blocks that make up the Great Pyramids are made of reconstituted limestone, not blocks chiseled from quarries. In other words: a kind of limestone concrete, made on-site.

Here's the link: The Surprising Truth Behind the Pyramids